PRESS RELEASE: Jürg Frey - 120 Pieces of Sound (elsewhere 003)
Jürg Frey’s unique compositional approach places him at the cutting edge of contemporary classical music while simultaneously maintaining a touch of impressionistic/romantic aesthetics in its roots. Since the late 90's, Frey started to work with 'lists' as a basis of his compositions, sometimes words, sometimes chords, from which he developed and organized the musical materials. In recent years, Frey's focus on 'lists' has extended more toward the connections of items with each other, forming melodies.
Frey composed 60 Pieces of Sound in 2009, for an indefinite number of musicians; with two instruments that play the pitches as written in the score forming a two-part melody, and an open instrumentation part for any instrument(s) or sound maker(s) as 'the third voice.' Each of the 60 chords played by the ensemble is followed by a similar duration of silence. In November 2017, Frey and the Boston-based ensemble Ordinary
In this recording, Frey's clarinet and
L’âme est sans retenue II was composed by Frey in 1997-2000, edited by him from the field recordings that Frey made in Berlin in 1997 with the addition of his bass clarinet sounds. It is the second piece of the series with the same title, after ‘L’âme est sans retenue I’ (
In this 40-minute piece 'L’âme est sans retenue II', the similar duration of the sounds and silences alternate with each other like in '60 Pieces of Sound’. For this piece, Frey first edited the field recording parts and later added his bass clarinet sound with a certain pitch to every part as an underlying tone that would blend with the field recordings. Frey's bass clarinet is discreet and almost unrecognizable here, often hidden under the complex layers of the field recordings, and yet clarifying the harmonization of the field recordings from inside. These two pieces were not actually directly connected to each other, but presenting these two pieces '60 Pieces of Sound' and 'L’âme est sans retenue II' back to back on this album brings out the fundamental aesthetic of Frey's compositions in regards to how he approaches the ‘harmonization’ and ‘openness’ of the music.
(Release date: October 10, 2018)
FACTS / TRACKLIST / CREDITS
Jürg Frey was born in Aarau in 1953. After studying at the Conservatoire de Musique de Geneve in Thomas Friedli’s solo class, he began a career as a
Jürg Frey is a member of the Wandelweiser Komponisten Ensemble which has presented concerts for more than 15 years in Europe, North America and Japan. Frey lives with his family in Aarau (Switzerland), teaches clarinet, and organizes the concert series moments
Ordinary
Ordinary Affects has commissioned and premiered pieces by Michael Pisaro, Antoine Beuger, Sarah Hughes, Eva-Maria Houben, and Ryoko Akama, in addition to performing a number of other composers’ works including those by Joseph Kurdika, John Lely, and all members of the ensemble (
Jürg Frey - 120 Pieces of Sound (elsewhere 003)
1. 60 Pieces of Sound (2009) 32:00
Ordinary Affects:
Luke Martin - electric guitar
Laura
J.P.A. Falzone - keyboard
Morgan Evans-Weiler - violin
Jürg Frey - clarinet
recorded by Luke Damrosch at Wesleyan University, Middletown, CT on November 10, 2017
mixed by Luke Damrosch and Jürg Frey
mastered by Luke Damrosch
2. L’âme est sans retenue II (1997-2000) 40:03
for field recordings and bass clarinet
Jürg Frey - field recordings, bass clarinet
recorded by Fabio Oehrli at Tonlabor Bern, Bern, Switzerland
mixed and mastered by Fabio Oehrli (Tonlabor Bern)
cover artwork by Jürg Frey - Stück (1974) #29
design by Yuko Zama
produced by Jürg Frey and Yuko Zama
p+c 2018 elsewhere music
www.elsewheremusic.net